Tag Archives: Amy Adams

2014 Oscar Nomination Predictions

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It’s that time of year again. The silliness of the Golden Globes is behind us (I only got 3 out of 9 of my wishes!) and now it’s time to get down to some serious awards business. (Well as serious as we can be about rich people handing each other golden trophies.) The Oscar nominations are coming tomorrow and so I am here to bring you my tried and true predictions for the big categories. Overall I think I stayed pretty safe with my predictions, but I also tried to predict any wild and crazy upsets. There are pundits and precursor noms and all that, but in the end you never really know what will happen.

Best Picture:
American Hustle
Captain Phillips
Dallas Buyers Club
Gravity
Her
Nebraska
Philomena
12 Years a Slave
The Wolf of Wall Street

The weighted Best Picture voting means that there an be anywhere from six to ten nominees. I’m going for nine with the caveat that Blue Jasmine and/or Saving Mr. Banks could sneak in if there’s a tenth spot. The race has actually had quite a few twists and turns so far this season, what with Inside Llewyn Davis fading almost entirely from guild consideration and American Hustle getting boosts just about everywhere. The Wolf of Wall Street is super divisive (I myself was not a fan) but I’m giving it last year’s Django Unchained wildcard spot for divisive films. Philomena is perhaps my boldest choice but it has a lot of British enthusiasm and the new voting system favors small groups of fervent support over large swaths of general support.  And this is all despite the fact that the real race is still between 12 Years a Slave, Gravity and American Hustle. Expect those three titles to come up without a doubt.

Best Director:
Alfonso Cuarón (Gravity)
Paul Greengrass (Captain Phillips)
Steve McQueen (12 Years a Slave)
Alexander Payne (Nebraska)
David O. Russell (American Hustle)

The Director’s Guild may have nominated Martin Scorcese over Payne, but if the past few years are any roadmap, the Academy’s director’s branch likes to make its own choices. Last year’s category was a little bonkers and Ben Affleck’s snub was actually the beginning of the groundswell for Argo’s eventual Best Picture win. So you never know what could happen and whether it’s actually a bad thing. Cuarón, McQueen and Russell are Affleck-style locks, so expect Affleck-like backlash if any are snubbed. Greengrass and Payne are kind of safe choices for the last two spots, I’ll admit. They’re both former nominees in this category, while Spike Jonze would be a bolder choice, but Her is still a quirky genre film, and the Academy has never been a huge fan of sci-fi.

Best Actor:
Bruce Dern (Nebraska)
Leonardo DiCaprio (The Wolf of Wall Street)
Chiwetel Ejiofor (12 Years a Slave)
Tom Hanks (Captain Phillips)
Matthew McConaughey (Dallas Buyers Club)

Dern, Ejiofor, Hanks and McConaughey are dead locks for the first four spots (if any of them are left out, that’s where the big shocking snub will be). As far as the fifth nomination goes, there are four guys with a really decent chance at claiming it: Leonardo DiCaprio (The Wolf of Wall Street) Forest Whitaker (The Butler), Robert Redford (All is Lost) and Christian Bale (American Hustle). Redford had the early momentum but that has mostly dried up. Whitaker got a big boost from the SAGs but hasn’t really been heard from since. Bale got a late boost from BAFTA, but it may not have been enough. I’m going with Leo as part of the general groundswell for Wolf of late. But really, I might as well have picked at random.

Best Actress:

Amy Adams (American Hustle)
Cate Blanchett (Blue Jasmine)
Sandra Bullock (Gravity)
Judi Dench (Philomena)
Emma Thompson (Saving Mr. Banks)

I thought when I picked Adams over Meryl Streep for this category, I might be swinging for the fences. But it seems that lots of pundits are picking this particular swap, and that’s probably due to general antipathy towards August: Osage, the seemingly non-stop power of American Hustle and Adams taking Streep’s spot at the BAFTAs, where there is quite a bit of voter crossover with the Academy. When it comes to personal taste, I think Adams is the most deserving of all the Hustle hopefuls, even more so than Jennifer Lawrence (more on her later), and I would be ecstatic if she took the fifth spot.

Best Supporting Actor:

Barkhad Abdi (Captain Phillips)
Daniel Bruhl (Rush)
Michael Fassbender (12 Years a Slave)
James Gandolfini (Enough Said)
Jared Leto (Dallas Buyers Club)

Despite the fact that Jordan Catalano– I mean Jared Leto has the actual win all but guaranteed, this is actually the most fluid category. Leto is a surefire nominee, and Abdi and Fassbender are the next surest things. As far as the last two spots go, well, take your pick. Bruhl has the SAG and BAFTA noms, something he only shares with Abdi and Fassbender (Dallas Buyers Club was completely shut out by the BAFTAs), so I’d say he’s a good bet. The last spot? Well it seems to be down to Bradley Cooper in American Hustle and Gandolfini. I’m going with Gandolfini, if only because it is the last chance to reward a beloved actor for a lifetime of great work.

Best Supporting Actress:

Jennifer Lawrence (American Hustle)
Lupita Nyong’o (12 Years a Slave)
Julia Roberts (August: Osage County)
June Squibb (Nebraska)
Oprah Winfrey (Lee Daniels’ The Butler)

Despite the fact that I think Lawrence’s performance is being overpraised (she was fine, but Adams was better), she’s pretty much in a three-way contest with Nyong’o and Squibb for the win (one guess who I’m rooting for). Then there’s Oprah, and whatever you thought of The Butler, there’s no denying that Oprah really went for it. Plus she’s Oprah. The last spot will most likely go to Roberts for her turn in August: Osage, but lately there’s been a swell of support for Sally Hawkins in Blue Jasmine, who took Squibb’s spot at the BAFTAs. If she does get nominated over Roberts it would be indicative of two things: Meryl Streep will almost certainly miss out on a Best Actress nom and Blue Jasmine might sneak in a Best Picture nom. It’s not super likely but it definitely could happen.

Best Original Screenplay:

American Hustle
Blue Jasmine
Her
Inside Llewyn Davis
Nebraska

Original Screenplay is the category where the Academy allows itself to get the quirkiest (think Eternal Sunshine of the Spotless Mind). That said, this year it’s dominated by heavyweights and is more competitive than Adapted Screenplay. Inside Llewyn Davis was left out by the WGA, but I feel like this nomination is the consolation prize the Academy might throw the Coens.

Best Adapted Screenplay:

Before Midnight
Captain Phillips
Philomena
12 Years a Slave
The Wolf of Wall Street

Philomena and 12 Years were ineligible for the WGAs, which will count for a big departure here since 12 Years is currently tipped to win. I’d say this category is pretty much all sewn up (even if you, like me, think it’s super weird that Before Midnight is being called adapted) but there might be a possibility for a spoiler from Osage‘s Tracy Letts, who adapted his own Tony and Pulitzer-winning play, two large precursor awards in themselves.

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9 Golden Globes Wishes

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The Golden Globes always win for silliest award show of the year. Not just because they have a long history of drunkenness or that their majesties Tina Fey and Amy Poehler are hosting for the second year in a row. No, the true silliness of the Golden Globes lies in the Hollywood Foreign Press Association, an organization of a few dozen international journalists who have a tendency to nominate the biggest stars they hope will show up (Angelina Jolie in The Tourist, anyone?).

But that doesn’t mean we won’t tune in and talk about who wins and who doesn’t. And it doesn’t mean this won’t affect Oscar and Emmy chances down the line. So here’s a smattering of some hopes I have for the big night, for both the film and TV side of the awards. They’re probably not the best of predictions, but it would be truly awesome if all of them came true.

1. 12 Years a Slave wins Best Picture, Drama. The Oscar best picture race is largely between 12 YearsGravity and American Hustle, so it would be interesting to see who goes here. There’s absolutely no voting cross-over between this and the Oscars, but it was this category that Argo first started its roll of domination last year, mere days after Ben Affleck’s famous director snub from the Academy. There’s been some talk that the insane hype 12 Years premiered with is slowing down, so since it’s actually the best film of the year by far, here’s to hoping we still talk about it.

2. Amy Adams wins Best Actress, Comedy/Musical. Hear me out on this one. I liked Jennifer Lawrence in American Hustle just as much ast the next breathing human, but she didn’t knock me over the way Adams did. To me, American Hustle would have failed without Adams, hers being the most nuanced and realistic performance. So far the best actress category has been pretty sewn up until Adams took one Miss Meryl Streep’s spot in the BAFTA nods this week. We all know that Cate Blanchett is a Daniel Day-Lewis level mortal lock for this Oscar, but Adams has a real shot here to potentially break into the nominations.

3. Michael Fassbender wins Best Supporting Actor. Have I mentioned I really liked 12 Years a Slave? Because I really, really liked 12 Years a Slave. Fassbender has only shown up in a handful of nominations so far, perhaps in part due to his early declaration that he wouldn’t do any campaigning. But who cares? Fassbender took on a role that could have easily gone cartoonish in the hands of a less competent actor, and instead created the kind of evil you could expect to see walking down the street one day. And that, like so much else in the film, is a huge achievement.

4. Sally Hawkins wins Best Supporting Actress. How great would this be? I mean, Cate Blanchett is amazing and very deserving of the Oscar she will eventually win, but performances like those aren’t complete without someone amazing to play off of. Hawkins really pulled her weight in Blue Jasmine, and made the film that much better for it.

5. Parks and Recreation wins Best TV Comedy. Besides the fact that Amy Poehler would have even more to do during the broadcast if her sitcom wins, I just think it’s about damn time someone recognized how great this show is. This fall’s sixth season may have had rocky moments (please, please no more Councilman Jamm) but the second half of season five, which aired in early 2013, was pretty outstanding. I could watch “Leslie and Ben” over and over and over again.

6. Tatiana Maslany wins Best Actress in a TV Drama. It’s insane how good Maslany is in Orphan Black. Like, crazy insane. I recently rewatched the series and I think the highest laurel I can give to her is that I constantly forget that the clones are played by the same actress. They are so different, so nuanced and just so good. Maslany is finally up for a big ticket award, and there has frankly never really been anyone more deserving.

7. Elisabeth Moss wins Best Actress in a TV Miniseries or Movie. Have you seen Top of the Lake yet? No? It’s on Netflix, go watch it and tell me that Moss isn’t freaking incredible. I dare you. 

8. Monica Potter wins Best Supporting Actress in a TV Series, Mini-Series or Motion Picture. Despite some issues this season, Parenthood is still one of my favorite shows on television, and Potter’s work during last season’s cancer storyline was top notch. You might not have believed that this show could make you cry anymore, but it did. 

9. Somebody does something super drunk. It has been remarked upon that the Globes are kind of a schwasty award show. Remember Glenn Close last year, anyone? Besides Tina and Amy’s inevitable show of hilarious hosting, drunken flubs are likely to be the most entertaining part of the evening. It’s not like it’s the Oscars or anything, so nobody has to be too serious.